Deep House

Delusions 50: Part One / Delusions Of Grandeur / DOGD50A

13293075

ARTIST: VA
ALBUM: Delusions 50: Part One
LABEL: Delusions Of Grandeur | DOGD50A
GENRE: Deep House
BITRATE: 320Kbps
ORIGINAL RELEASED 2016-04-01
SIZE: 47.85 MB

TOTAL TRACKS 3

  1. Nebraska – What I Talk About When I Talk About Running (Original Mix) (08:57) 120bpm/Cmin
  2. Session Victim – Came to Be Alive (Original Mix) (04:31) 106bpm/Cmin
  3. Ugly Drums – Like Its Ok (Original Mix) (07:08) 117bpm/Amaj

Total Playtime: 00:20:36 min

For our 50th release on Delusions Of Grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing DOG artists and veritable newcomers alike.

Kicking off Part One we have Rush Hour regular Nebraska who manages to successfully combine elements of wait for it… trance and broken beat into an altogether more exciting and amazing way than that actually sounds on paper. Organic, sampled drums with plenty of grit and dirt lay down a groove whilst spacey synth arps and an almighty break (in a subtle way) make this something of an epic which all of us here have fallen for in a big way.

Quintessentials and Kolour LTD favourite Ugly Drums steps up next digging deep in his seemingly bottomless collection of brilliant of disco and soul to mine some killer samples and conjuring up a masterclass in deepest ravehouse in the process.

Rounding off Part One DOG mainstays and bona fide Retreaters Session Victim do what they do best on Came To Be Alive, turning in a completely blissed-out, dusty soul jam tailor-made as much for cozy nights in front of a log fire as for antipodean BBQ’s under a hazy sun.

Part Two opens with Underground Quality key player Son Of Sound who brings a bucketful of attitude on Under The Son, laying down a rough-edged groove and getting on one with his vintage keys.

Up next we have Sebastien Vorhaus & Ponty Mython who bring us the beast that is I’m The Slime. Easing us into things with gentle rhodes samples and a skippy groove, Vorhaus (of Soul Of Hex fame) and Mython soon develop things with hints of acid before unleashing a jazz piano riff that can be best described as unhinged.

Flipping over the mysterious Zepp001 hunt and gatherer brings us Enemy. There’s elements of disco with bouncing syndrum fills and a mysterious mood prevails as shakers rattle, bells chime and congas slap but when the bassline drops it’s clear we’re into some serious future s**t here.

Finally, we have our very own Norm De Plume who lays down a bad-boy groove with a rocking bassline, clattering cowbells and tension-building pads bringing an intense build and rounding off our 50th release in fine fashion, we hope you agree.

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