Good Guy Mikesh, Reznik (DE) – Human Factor / KM053

RELEASE: Human Factor
ARTIST(S): Good Guy Mikesh, Reznik (DE)

REMIXERS: Adam Port

PUBLISHER: Keinemusik / KM053
MUSICAL GENRE: Lossless, Indie Dance
RELEASE DATE: 2020-08-28
DOWNLOAD FORMAT: 720Kbps, LOSSLESS
FILE SIZE: (106.58 MB)

Human Factor have 3 TOTAL TRACKS

1. Good Guy Mikesh, Reznik (DE) – Human Factor (06:15) 05A, 121
2. Good Guy Mikesh, Reznik (DE) – Its Not You Its Me (07:00) 05A, 118
3. Good Guy Mikesh, Reznik (DE) – Its Not You Its Me (Adam Port Remix) (05:23) 05A, 122

Total Playtime: 00:18:38 min

Download Human Factor in 320 MP3, FLAC, and AIFF

As our catalogue number KM053 appears on the horizon, we are happy to announce that it comes in shape of Keinemusik’s own Reznik and his studio-buddy and friend Good Guy Mikesh’s first full-fledged EP for the label. Them getting together can result in somewhat variable stylistic outcomes and so this batch of tunes certainly adds some exquisite nuances to the Keinemusik sound- portfolio.

“Human Factor” on A distinctively affirms that Reznik and Mikesh are kids of the 80ies. Effectively it is synth-heaven, layering riffs, melodies and chilly beat patterns on top of each other, building a foundation to be pinnacled by that hook you might not be able to get out of your head for quite a while. So, little trigger warning right there. A strongly crafted tune that balances Pop-sensibilities, educated references, club qualities and that name giving, at all hands needed human factor into a soon-to-be classic.

“It’s Not You It’s Me” on the flipside insinuates itself in a rather emotive manner, introducing a mantra-like organ motive, switches between stoic and dynamic drum patterns and an all-over organic feel, altogether adding up to what would be one of this season’s most sensitive ways to get a floor going (if there was a season after all).

Closing things off is Adam Port’s take on “It’s Not You It’s Me”, a remix that breaks the original’s dynamic down to a more loop-based club-approved modus operandi, re-shaping the beat with toms and shakers, implementing drones and variations of the organ-hook, upping the ante to meet the requirements of a rather post-peak application.//