House

Anja Schneider – With My Eyes Closed EP on Sous Music

Smooth, warm, and ready for any floor: Anja Schneider‘s “With My Eyes Closed EP” on Sous Music spans 2 tracks of essential House. Grab the full release in FLAC and MP3 — essential listening for house music selectors.

Cover Image: Anja Schneider - With My Eyes Closed EP on Sous Music

Album Insights – With My Eyes Closed EP

Artists: Anja Schneider

Genre: House

Release Date: 2025-12-12

Label: Sous Music

Catalog: SOUS056

Watch the Official Music Video on YouTube …

Behind the House : Release Notes

Following her Scary Goat EP, Anja Schneider continues her unstoppable studio momentum with a new 2 Track EP, With My Eyes Closed. Pusher, is showcasing her signature hypnotic, housey grooves and unmistakable love for classic old school chords. The result is both surprising and undeniably dancefloor-ready. With My Eyes Closed explores new territory for Anja, and is blending Electro Clash elements with punchy, aggressive beats, yet maintaining her trademark hypnotic energy. This EP let you with a perfect fusion of deep grooves, hypnotic textures, and unrelenting rave spirit, everything you have come to expect from Anja Schneider. With My Eyes Closed EP she reaffirms her talent for crafting electronic music with meticulous attention to detail, driving beats, and pure dancefloor intensity.

Download ‘With My Eyes Closed EP’ in MP3, FLAC, and AIFF Formats

Tracklist & Tempos

  1. Anja Schneider – Pusher Original Mix, Download MP3

    House | 130 BPM – F Minor | 5:25

  2. Anja Schneider – With My Eyes Closed Original Mix, Download MP3

    House | 98 BPM – D Major | 7:46

Artists on This Release

With My Eyes Closed EP features tracks by Anja Schneider.

About Anja Schneider – House Producer

Anja Schneider
Anja Schneider 🇩🇪 · 71 releases

German DJ and producer Anja Schneider hails from Bergisch Gladbach and co-founded Mobilee Records. Her output spans driving techno and deep house across labels including Mobilee Records, Sous Music, and Permanent Vacation.

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