VA – Global Dub Coordinates VA: Avelatus Dub Techno Star Collection, Vol. 2 on PIRANHA SIBERIA DUB

Fresh from PIRANHA SIBERIA DUB‘s catalog, Lars Leonhard, Peony, Dive Craft, Jonah van der Hout, FloorFan, George Kostopoulos, Klordop, Triebfeder, RE.vila, rāviraj, T-Booster, Anchoret, Dom Dumoulin‘s “Global Dub Coordinates VA: Avelatus Dub Techno Star Collection, Vol. 2” delivers 13 cuts of uncompromising techno (raw / deep / hypnotic). Available in MP3, FLAC, and AIFF. Gathering 13 artists from across the Techno (Raw / Deep / Hypnotic) spectrum, Global Dub Coordinates VA: Avelatus Dub Techno Star Collection, Vol. 2 showcases PIRANHA SIBERIA DUB‘s curatorial range.

Global Dub Coordinates VA: Avelatus Dub Techno Star Collection, Vol. 2 – Techno (Raw / Deep / Hypnotic) Release Details

Behind the Techno (Raw / Deep / Hypnotic) : Release Notes

[PIRANHA SIBERIA DUB] is tremendously pleased to present the 120th release — Global Dub Coordinates VA: Avelatus Dub Techno Star Collection, Vol. 2 The second constellation of Global Dub Coordinates is called Avelatus. Thirteen more points on the global dub techno map connect Germany, Russia, Uruguay, Greece, the United Kingdom, the United States, and Canada, but behind each coordinate lies more than simply the place where an artist lives — there is a specific landscape, a memory, a legend, or a personal connection to a city. If Nozarum opened the system, Avelatus takes it deeper — from urban noise and shores familiar since childhood to ancient sanctuaries, rock markings, and places where geography gradually transforms into memory. :::Lars Leonhard — Echoes in the Static arrives from Düsseldorf, Germany, and opens Avelatus with an echo emerging from within static noise. The title itself seems to describe a signal that is almost impossible to distinguish from interference at first, but gradually begins to reveal its own form. Düsseldorf becomes the first point of the second constellation — a place from which a barely perceptible impulse sets the global network in motion once again. :::Peony — After Humanity arrives from Ivanovo, Russia, and immediately takes Avelatus beyond the imaginary boundary of human presence. The title leaves room for a world that continues to exist after us, where cities, structures, and signals no longer need their creators. Ivanovo becomes a coordinate of a kind of post-human observation — a point from which the music seems to look out across space from another time. :::Dive Craft — Sudzhukskaya Kosa comes from Moscow, Russia, but its coordinate is connected to Sudzhukskaya Kosa — a place the artist has known since childhood and has returned to for five consecutive years as an adult. The title therefore works not as abstract geography, but as a personal point of constant return, one that has accompanied its author through different stages of life. Within Avelatus, the spit becomes a coordinate of memory — a place that remains a fixed landmark regardless of distance or time. :::Jonah van der Hout — Textures 52.2689°N, 10.5268°E (Tape Mix) arrives from Braunschweig, Germany, fixing its position directly within the title. The coordinates turn Textures into a kind of field recording of a place, where the texture of sound becomes as much a characteristic of space as latitude and longitude. Braunschweig enters Avelatus as a point that can be found not only on a map, but also within the magnetic texture of the track itself. :::FloorFan — Soul Of Chamangá comes from Montevideo, Uruguay, and leads Avelatus toward Chamangá — an area of ancient rock art where geometric signs, lines, dots, and network-like forms created long before the modern map of the world have survived on exposed granite surfaces. For the artist, the story is particularly personal: being descended from an Indigenous people, he turns to the local legend of the chieftain Chamangá, who chose death rather than surrender to the conquerors, while according to tradition his soul still appears among the rocks as a mysterious light on dark and stormy nights. **Soul Of Chamangá** therefore becomes one of Avelatus’s most ancient coordinates in terms of memory — a signal in which contemporary electronic music meets stone, red pigment, resistance, and a legend that continues to guard the traces of the ancestors. :::George Kostopoulos — Plutonion comes from Eleusis, Greece, and turns toward the sacred cave of the Plutonion within the ancient sanctuary. Ancient tradition associated this place with Hades, the abduction of Persephone, and a passage into the Underworld, while the Plutonion itself was closely connected to the Eleusinian Mysteries and beliefs surrounding death and the return of life. Within Avelatus, Eleusis becomes a coordinate of transition — a point between surface and depth, disappearance and rebirth. :::Klordop — The Path to the Dune arrives from Hamburg, Germany, and lays a route through Avelatus toward the dune as a distant point beyond the structure of the city. The title sounds not like a description of a destination, but like the movement toward it — a route across shifting terrain where direction matters more than arrival. Hamburg becomes the beginning of this path, while the dune itself becomes a symbolic boundary between familiar space and territory still waiting to be crossed. :::Triebfeder — Mtatsminda comes from Saint Petersburg, Russia, but is dedicated to Mount Mtatsminda in Tbilisi — a beautiful and peaceful place near which the artist now lives. Here, the geography of Avelatus unexpectedly becomes a story of personal movement: one coordinate of origin connects with another that has become part of everyday life. Mtatsminda captures not simply a landscape, but the feeling of having found tranquility within a new space. :::RE.vila — Divided Frequencies comes from Liverpool, England, and introduces into Avelatus the idea of a divided frequency space. The title seems to split a single signal into several parallel channels that exist beside one another while moving along their own trajectories. Liverpool becomes a branching point within the system — a place where a single coordinate begins to resonate in several directions at once. :::rāviraj — Am Wriezener Bahnhof comes from Berlin, Germany, and anchors its coordinate to a specific urban space. The title feels almost like a marker on a personal route through Berlin — not an abstract metropolis, but a point that can be passed through, seen, and remembered. Within Avelatus, Wriezener Bahnhof becomes a fragment of urban memory, fixed within the system as precisely as any value of latitude and longitude. :::T-Booster — Yard comes from Moscow, Russia, and turns toward the most local scale of the map — the courtyard. Among continents, historical sites, and distant routes, Yard reminds us that one of a person’s most important coordinates may be located literally just outside the door of home. Here, Moscow becomes not an enormous metropolis, but an intimate personal space known down to every wall, pathway, and echo. :::Anchoret — Three Rivers comes from Pittsburgh, United States, a city whose identity is directly connected to its three rivers. It is here that the Allegheny and Monongahela meet to form the Ohio, so the track title transforms Pittsburgh’s defining geographical feature into its own sonic coordinate. Within Avelatus, Three Rivers becomes a natural symbol of converging flows — several directions meeting at a single point and continuing onward as one. :::Dom Dumoulin — Besset completes the second constellation from Montreal, Canada, leaving a short and almost encrypted title at its end. Besset feels like the proper name of a coordinate that requires no explanation and exists within the map according to its own rules. Montreal becomes the final point of Avelatus — the place where thirteen independent routes finally resolve into one complete figure. Avelatus is the second of the nine constellations of Global Dub Coordinates. 13 artists. 13 places. 13 sonic points where personal memory, ancient legends, urban spaces, and real coordinates merge into a single system. Seven constellations still lie ahead — and the geometry of 117 points continues to expand. The next coordinate is already active. Yours in sound and spirit, The [PIRANHA SIBERIA DUB] Crew

Download ‘Global Dub Coordinates VA: Avelatus Dub Techno Star Collection, Vol. 2’ in MP3, FLAC, and AIFF Formats

Techno (Raw / Deep / Hypnotic) Tracklist

1. Lars Leonhard – Echoes in the Static Original Mix

   On PIRANHA SIBERIA DUB | Nov 07, 2026 | Ambient / Experimental | 73 BPM | Bb Minor | 4:51

2. Peony – After Humanity Original Mix

   On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 110 BPM | Gb Minor | 9:06

3. Dive Craft – Sudzhukskaya Kosa Original Mix

   On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 118 BPM | C Minor | 8:08

4. Jonah van der Hout – Textures 52.2689°N, 10.5268°E Tape Mix

   On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 114 BPM | F Major | 7:20

5. FloorFan – Soul Of Chamangá Original Mix

   On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 125 BPM | F Minor | 9:05

6. George Kostopoulos – Plutonion Original Mix

   On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 126 BPM | Db Minor | 6:05

7. Klordop – The Path to the Dune Original Mix

   On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 113 BPM | C Minor | 6:45

8. Triebfeder – Mtatsminda Original Mix

   On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 118 BPM | C Major | 6:34

9. RE.vila – Divided Frequencies Original Mix

   On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 90 BPM | A Minor | 8:22

10. rāviraj – Am Wriezener Bahnhof Original Mix

    On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 129 BPM | C Minor | 9:33

11. T-Booster – Yard Original Mix

    On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 124 BPM | Bb Minor | 7:31

12. Anchoret – Three Rivers Original Mix

    On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 120 BPM | D Minor | 6:08

13. Dom Dumoulin – Besset Original Mix

    On PIRANHA SIBERIA DUB | Nov 07, 2026 | Techno (Raw / Deep / Hypnotic) | 120 BPM | Ab Minor | 6:24